Welcome to Neverending Story : the Mythology () fanlisting
The Origins of the WorldThe different creation accounts were each associated with the cult of a particular god in one of the major cities of Egypt: Hermopolis, Heliopolis, Memphis, and Thebes. To some degree these myths represent competing theologies, but they also represent different aspects of the process of creation.
HermopolisThe creation myth promulgated in the city of Hermopolis focused on the nature of the universe before the creation of the world. The inherent qualities of the primeval waters were represented by a set of eight gods, called the Ogdoad. The god Nu and his female counterpart Naunet represented the inert primeval water itself; Huh and his counterpart Hauhet represented the water's infinite extent; Kuk and Kauket personified the darkness present within it; and Amun and Amaunet represented its hidden and unknowable nature, in contrast to the tangible world of the living. Because the primeval waters were themselves part of the creation process, the deities representing them could be seen as creator gods. According to the myth, the eight gods were originally divided into male and female groups. Because they dwelt within the water, they were symbolically depicted as aquatic creatures: the males were represented as frogs, and the females were represented as snakes. These two groups eventually converged, resulting in a great upheaval, which produced the pyramidal mound. From it emerged the sun, which rose into the sky to light the world.
HeliopolisIn Heliopolis, the creation was attributed to Atum, a deity closely associated with Ra, who was said to have existed in the waters of Nu as an inert potential being. Atum was a self-engendered god, the source of all the elements and forces in the world, and the Heliopolitan myth described the process by which he "evolved" from a single being into this multiplicity of elements. The process began when Atum appeared on the mound and gave rise the air god Shu and his sister Tefnut, whose existence represented the emergence of an empty space amid the waters. To explain how Atum did this, the myth uses the metaphor of masturbation, with the hand he used in this act representing the female principle inherent within him. He is also said to have to have "sneezed" and"spat" to produce Shu and Tefnut, a metaphor that arose from puns on their names. Next, Shu and Tefnut coupled to produce the earth god Geb and the sky goddess Nut, who defined the limits of the world. Geb and Nut in turn gave rise to four children, who represented the forces of life: Osiris, god of fertility and regeneration; Isis, goddess of motherhood; Set, the god of male sexuality; and Nephthys, the female complement of Set. The myth thus represented the process by which life was made possible. These nine gods were grouped together theologically as the Ennead, but the eight lesser gods, and all other things in the world, were ultimately seen as extensions of Atum.
MemphisThe Memphite version of creation centered on Ptah, who was the patron god of craftsmen. As such, he represented the craftsman's ability to envision a finished product, and shape raw materials to create that product. The Memphite theology said that Ptah created the world in a similar way. The ideas developed within Ptah's heart (regarded by the Egyptians as the seat of human thought) were given form when he named them with his tongue. By speaking these names, Ptah produced the gods and all other things.
The Memphite creation myth coexisted with that of Heliopolis, as Ptah's creative thought and speech were believed to have caused the formation of Atum and the Ennead. Ptah was also associated with Tatjenen, the god who personified the pyramidal mound.